Constructions of Childhood Trauma

Last time I checked in with my work, I shared my book, which is a work in progress. I haven’t given up on that– never fear– but I have spent the last month and or so photographing my life away. As you do.

I’ve been dragging around my handy-dandy 4×5 camera and constructing scenes for it.

My work explores the complexities of childhood sexual trauma, identity, and memory through constructed photographs, the personal archive, and metaphor. Childhood sexual abuse is a topic that many shy away from, but I wish to create a safe space to talk about these issues, especially since they are so prevalent. This kind of abuse is hiding in plain sight. By working in the studio, in the real world, and in a world of make-believe, I intend to create tableaus that draw a viewer in and make them contemplate and uncover the trauma hidden in the images.

By using a large format camera, a saturated color palette, and childhood symbols, I create tableaus that subvert the connotations of an idyllic childhood. The use of a large format camera allows the images to be huge and immersive. My color palette references bubble gum, cartoons, and children’s bedrooms. The toys are the toys of the every-child; recognizable and therefore a vessel to project the personal onto.

The act of constructing these scenes harkens back to playtime as a child, where we created our own worlds. I am now creating plays for the camera, drawing from my own experience as a survivor of sexual abuse, to create a visual language that can be universally understood. There is a delicate balance I work from, teetering on the fine line between chaos and order, awful and sweet, and presence and absence. Materiality assists me in exploring these binaries, as I use dollhouses, bed sheets, and obsessive collections. The anxiety found in the images reflects the anxieties of not only my experiences, but the experiences of others who have suffered and survived by any means necessary.

This current work is a long term project that I am looking forward to continuing. Childhood sexual abuse is a topic that is ingrained in our cultural psyche, but is hardly ever spoken about. By using my personal experiences, my hope is to open up a space where others can share their stories. To reconfigure the cultural matrix to include this topic is my ultimate goal.

I have a lot of ideas left in me and some metaphors to explore. 4×5 is making me really slow down and pay attention to my process– and can you blame me when it is about $5 a shot? Yeesh. Despite that, I’m really excited about this new work and I feel like everything is starting to come together. I worked last year on installations and now I’m basically making installations to photograph. Things DO make sense! Wow!

Happy Shooting!

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