Before I left on my trip abroad, I practiced shooting Tungsten film with a gelled hot-shoe flash. The results came out better than I could have hoped, so I packed a roll in hopes of doing a shoot at the Cliffs of Dover. I thought it would be appropriate, since Tungsten film has a blue cast to it, and Dover is on the sea. Y’know, blue and blue? If you’re not following me, the ocean is blue and so is the film.
The shoot itself was super fun. The day started out promising but windy, and by noon the sun was shining and the shutter was snapping. But, by mid-afternoon, clouds rolled in and it started pouring. My friend and model, Lindsay, was a champ about it though and stuck it out until the very cold, wet, bitter end.
So, without further ado, here is what it is like Upon the Edge of the Cliffs of Dover:
This is a series about love and loss, holding on and letting go, being chained and being freed.
A few funny things happened with this film- it has a purplish tint to it, which is odd, and my metering was extremely off. I had a few shots that were super duper over-exposed and had to adjust in Photoshop (they are the super grainy ones, if you couldn’t tell,) but, hey, what can ya do? Stuff happens.
I’m going back to the United States this weekend. Can’t I just stay in Europe forever and take pictures and do cool photo shoots in cool places and just be cool in general?
Nah, I’d be broke.